Malting and Peating

Malting and “peating” – Two important aspects of whisky production

You’ve probably heard the phrase “Single Malt Scotch”. But what exactly is malt?

You’ve probably also heard the (incorrect) statement that all Scotch is smoky. Some is, some isn’t. But why? Where does that smoky flavor come from?

All Scotch must contain at least some malted barley. Single Malt or Blended Malt Scotch can contain no other grains, while Single Grain, Blended Grain, or simply Blended Scotch can contain other grains as well, but still must contain some malted barley.

Bourbon must contain at least 51% corn. The remainder can be any other cereal grain. Some portion of this is almost always malted barley.

The Reinheitsgebot, a law passed in Bavaria in 1516, sometimes refered to as the “German Beer Purity Law”, limited the ingredients in beer to barley, hops, and water. Yeast was not mentioned, because it hadn’t been discovered yet. The barley used in making beer is almost always malted.

Why barley? What is so special about that particular grain? Yeast can only ferment sugars, not starches. There is an enzyme in the grain that breaks these long, complex starch molecules down into simple sugars which the yeast can process.

Barley contains more of this enzyme than any other grain. While some grains struggle just to convert their own starches, barley has enough enzyme to convert it’s own starches, and those of any other grains in the “mash” (mixture of grain and water to be fermented). Adding malted barley to a mash of other grains, such as corn, can help ensure that the maximum amount of starch is converted to sugar, as well as speed the process, both of which increase the profit of the distillery.

So what is “malted” barley, and how is it different from just plain barley? “Malting” consists of wetting grain so that the seeds think it’s time to start growing. The seeds begin converting starch to sugar to feed the growing plant. If the seed begins to sprout, it will start to consume those sugars, so the grain is then dried before it can sprout, when the sugar content is at its peak.

It is during the drying that the smoky flavor is added.

Long ago, when it came time to dry the grain being malted, it was done over a fire. In Scotland, that fire was usually built from an abundant and naturally occurring fuel source, peat. Peat is created when vegetation decomposes in the presence of moisture. When burned, peat produces a large amount of pungent smoke that would penetrate and flavor the grains, resulting in that distinctive taste for which Scotch is known.

Today, with the existence of electric fans and blowers, it is possible, even easier, to dry malted grain without using a fire and imparting the flavor of smoke to the grain. Many Scotch producers opt for this method, resulting in a sweeter, more mildly flavored product. Some still swear by the traditional method, creating that legendary taste of “peated” whisky.

Indeed, smoky whisky is so popular that other whisky producers around the world have begun smoking their grains (either with peat, or over a wood fire), to produce a whisky with a smoky flavor. If smoke is your preference, don’t be afraid to branch out beyond your favorite peated Scotch and try some of these.

Who you callin’ smooth?

Is it OK to describe a whiskey as “smooth”?

Not too long ago, I saw an article that claimed whiskey should not be referred to as smooth. I gave it a cursory once-over, and dismissed it. “These are the same whiskey snobs who get offended if someone asks for an ice cube”, I thought. Whiskey has become more popular, even trendy. An unfortunate downside of this is that wherever you find a trend, you find elitism.

Whenever something becomes fashionable, there will always be people who acquire some knowledge, some experience, then proclaim themselves to be experts, looking down upon anyone with less knowledge and experience than they have.

At the begining of this month, Glenmorangie released their 15 year old Cadboll Estate. In one post, someone refered to it as smooth. In another post, someone asked a friend if it was smooth. In both cases, the same person called them out, in ALL CAPS no less, for using that word. I remembered the article that I mentioned earlier, and I was intrigued.

What is it about this word that suddenly has people so triggered? Surely, I thought, we’ve all refered to a whiskey as smooth. There are certainly enough products that aren’t smooth to make it a valid comparison. I had to investigate.

The arguments against the term go like this:
⦁ It’s what college students use to describe anything that isn’t the bottom shelf garbage they’re used to drinking.
⦁ It’s too vague. There are several factors that make a whiskey (or other spirit) smooth. Learn them and use more precise language to describe what you’re drinking.
⦁ Sweetness can make something seem more smooth. A wheated Bourbon may seem smooth, while the spicy flavor of a high rye bourbon may “burn”. Taking advantage of this “sweeter is smoother” perception, some lower end products may add sweeteners to make their product more drinkable.
⦁ Something that is distilled to a higher proof may seem more smooth, since it has fewer congeners (byproducts of distillation that can add different flavors to the new make spirit), but it will have less flavor.
⦁ Conversely, something that is bottled at a lower proof will have less alcohol burn (usually described as “heat”), and will seem smoother.
⦁ Smooth does not mean good. Flavor and character are more important than something that “goes down easy”.

All of these arguments point to one thing. For those against it, using that word speaks to a lack of experience. Like the college student, maybe you’re only used to drinking low quality whiskey. Or maybe you lack the knowledge to describe what’s in your glass with more specific terms.

Indeed, I found several sources that advised against using the word in discussing whiskey. Use it, they say, and you will identify yourself as a novice. Utter that word in the wrong company, and you will be judged harshly by those in the know.

To all of this I say “so what?” Is being inexperienced really so awful? Every professional, every expert, everyone, was a newcomer at one point.

If I meet someone with more experience than me, I want to learn from them. That’s not going to happen if I try to trick them into thinking I know more than I do. I’ve proudly started more than one conversation with “I’m new to this, but I want to learn more”.

And if I meet someone with less experience, I want to teach them. I want to pass on what I’ve learned. I’m not going to look down on someone or dismiss them because they’re just starting out. I was there once, too. Welcome. Let me help you find your way. I hope you enjoy this as much as I do. Knowledge, like whiskey, is best when shared.

So go ahead and describe that brown liquid in your glass as smooth. I won’t judge you. And if anyone does, look them in the eye and say “I’d rather be a novice than a snob”.

Smoke Gets In Your… Glass

Discussing the difference between various types of peat smoke, wood smoke, and barrel char.

Ask most people to describe Scotch, and one word you’re like to hear is “smoke”.  I’ve encountered several misconceptions about this.  The most common one is that all Scotch is smoky.  While this may have been true in the distant past, it certainly isn’t the case today.  Others have to do with where that flavor comes from.  Let’s start there. 

The smoky flavor in Scotch typically comes from “peated” malt.  This is malted barley that has been dried over a fire of burning peat moss, which is basically decomposed vegetation.  Perhaps I’ll talk more about malting and peating in a future post.

As you sample more and more peated Scotch, you will notice something.  Not all peat is created equal.  Certainly there is a large range in terms of the intensity of the smoke, but there is also a difference in the flavor of the smoke.

Some Islay whiskies are described as having flavors of iodine, or seaweed, or that are medicinal.  Peated Scotch from the Highlands or Speyside has a lighter, milder smoke.  This is mostly because the vegetation in the area (which decomposes to make the peat) is different.  While seaweed and other coastal plants make up most of the peat on Islay, the flora in the highlands consists largely of heather and other lighter, floral vegetation.  It’s also important to note that where the whisky comes from is not always the same as where the peat comes from.  Some Islay distilleries source their peated barley from the mainland.

If you begin to explore these differences in peat smoke in more detail, it’s worth seeking out samples from beyond the borders of Scotland.  Several craft distilleries in the U.S. have also started producing peated whiskeys, but be careful here.  Some import malted barley from Scotland, so you will not be tasting American peat. 

On a visit to Orange County Distillery in New York, I sampled their peated single malt.  They are located in the heart of the Black Dirt Region (the “black dirt” being peat), and they harvest their own peat and barley, and do the malting and peating on premise.  While the flavor is very similar to a peated highland Scotch, it is distinctly regional.

Connemara makes a peated Irish whiskey.  The peat here is also mild, like a highland.  There is some ambiguity about the source of the peat, but I find the flavor to be unique. 

But smoke flavor in whiskey does not end there.  There are whiskeys that are made with grains that have been smoked over a wood fire.  Wood smoke is a very different flavor than peat smoke, and one that more people are familiar with, as most of us have tasted food cooked over a wood fire.  I have tried several whiskeys that contain a portion of wood smoked grain, and they can be quite good.

And then there is “barrel char”.  It is a legal requirement that Bourbon be aged in a new charred oak container.  Other whiskeys may also use charred barrels, though some are simply “toasted”.  The degree of char is rated on a numeric scale, with 1 being the least charred.  A char of 4 is the highest that is commonly used, though higher levels do exist.  Whiskey aged in a #4 barrel, and sometimes even in a #3, will usually have a charred flavor.  While some might describe this as smoky, it is a distinct flavor, more similar to charcoal.

So remember, not all Scotch is smoky, and not all smoky whisky is Scotch.  There is a wide range of smoke, both in intensity, and in flavor.  If you like smoke, don’t be afraid to explore different types.  If you don’t like smoky whisky, maybe you just haven’t tried the right kind of smoke yet.  And if you don’t like smoke at all, don’t let that stop you from trying some unpeated Scotch whiskies.

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The year of 100 whiskeys (plus a few more)

Hello, and happy New Year!  I apologize for my long absence.  I hope that this year will allow me to be more consistent in my posting.

Every January, I attend a Robbie Burns Day dinner and Scotch tasting.  If you’re not familiar with this, Robert Burns was a Scottish poet born on January 25th, 1759.  There is a tradition of celebrating his life and poetry with a dinner, usually held on that date, or a Friday or Saturday near it.  Traditional Scottish food is typically served, along with Scotch whisky. 

As luck would have it, his birthday falls on a Saturday this year.  If you’ve never attended one of these dinners, I encourage you to look for one near you.  They are a lot of fun – a chance to meet some great people, and try some good food and good whisky – even if you don’t like haggis.

In February of last year, I attended a tasting event at a local distillery comparing and contrasting various whiskey styles, including Bourbon, rye, and single malt, where we sampled 10 different expressions.  By the end of February, it occurred to me that I had tried over 30 whiskeys that I had never had before.  With that number under my belt, and the year only 1/6th over, I set a goal of tasting 100 new whiskeys by year’s end.  I was certainly on pace to do that, but could I maintain it?

What followed was an exercise in seeking out new sources for different whiskeys, beyond what you see in every bar, in every liquor store.  I found several restaurants in my area whose bars had whiskey lists ranging from above average to extraordinary.  If I was going somewhere new, I would look ahead and see if there were any promising options in the area. 

I visited local craft distilleries that made whiskey.  I began looking closely at the miniature “airline” bottles in liquor stores, in case they had something new to me, and I could check off another box while spending just a few dollars.  I went to more tasting events.

I made it a point to look for the one option on a whiskey menu that I hadn’t tried before.  It got harder and harder as the year went on.  (At this point, I must offer a word of thanks to every bartender and waiter who endured my more-specific-than-usual questions.) 

I tried some things that I wouldn’t think of as a dram to be sipped neat, but it wasn’t just to add another tally.  I had a genuine interest in being familiar with these, in case they come up as an answer to the “what do you usually drink?” question.  I was pleasantly surprised by several of them.

While I have always been more of a Scotch and Bourbon drinker, I expanded my knowledge of Irish and Canadian whiskeys.  I tried examples from countries that are less well-known for their whiskey, including France, Wales, and South Africa.

I reached my goal of 100 at the end of July with a very special sample, Pappy Van Winkle 20 Year.  I slowed down, but didn’t stop.  After a tasting event in October, I reached 130, and thought I might be able to get to 150 by the end of the year.  On New Year’s Eve, I sampled whiskey number 160, Jameson’s 12 Year Old.

It’s been quite a ride.  I met some great people.  I drank some great whiskey.  I learned a lot.  Mostly, I learned that I still have a lot to learn. 

Why am I telling you all of this?  It’s not because I expect to try over 100 new whiskeys in 2020.  I certainly plan to continue to seek out new experiences, but I also plan to go back to ordering old favorites more often.  And it’s not because I expect you to try 100 new whiskeys this year.  But I do hope that I can encourage you to try something new if you have the chance.  You just might find a new favorite.

If you’d like to hear more about my whiskey experiences, please subscribe.  Thank you for taking the time to read about my journey.

To Infinity and bey…

I better not finish that. It might be considered copyright infringement.

If you’ve gone beyond having one or two favorite bottles, and started building a collection, you might want to consider starting and “Infinity Bottle”.

If you’re not familiar with the idea, you will need an empty bottle to start, or better yet, a nice decanter. The idea is that every time you open a new bottle, you add a small amount, creating your own unique blend, not available anywhere else in the world.

This is not an exercise in immediate gratification. At first, you will only be adding. Once it is full, then every time you add, you will need to take a little out to make room. As you make each “withdrawal”, you get to sample it, and watch your bottle change and evolve with each new addition. It is called an “infinity” bottle because in theory, there will always be some minute influence of every sample added.

One of the great things about this exercise is that there are no rules. But there are some guidelines, and some decisions to make:

  • Will you use one specific type of whisky, or mix different types? While some enjoy the complex liquor produced by blending Scotch, Bourbon, and other types, others are “purists” maintaining an infinity of only their favorite type, or a separate one for each type. Also, don’t be afraid to start an infinity for other favorite spirits. Ginfinity, anyone?
  • Avoid particularly strong flavors. A little bit of a dominant flavor, such as an especially peaty Scotch, will quickly take over an entire bottle. While a lightly peated style like Bowmore is probably OK, you might want to omit the Laphroaig. Another option, if you are a big enough fan of those, is to set up a separate bottle just for them.
  • How much of each sample will you add? One ounce is probably typical. If you want to get off to a faster start, 1 1/2 or 2 ounces might not be out of the question. My suggestion is to keep the amount consistent. We are not looking to become master blenders here.
  • I’ve seen articles that call for adding the final ounce from each bottle. I think that’s like someone asking for your last french fry. Seriously? I’ve been eating these things for 20 minutes, and now you decide you want one? Like the last fry, or the last bite of cake, nothing is as special as that last pour from a bottle. I prefer to make my donations up front.
  • Sample first. While I prefer not to contribute the final ounce to the cause, I don’t like to use the first ounce either. When I open a new bottle, I like to pour a dram and sample it. That way, if I do find one that I just don’t care for, I can omit it. It’s the second ounce that goes in.
  • Last, but not least, share! Although the rule is to only draw out as much as you’re going to replenish from a new bottle, don’t be afraid to take a little extra to pour for an honored guest, especially if you’re proud of your current blend. It will be replenished soon enough, and I think a special guest deserves a special pour. Whether it’s that rare bottle you found, one with a special story behind it, or yes, your very own personal infinity that isn’t available anywhere else, nothing makes me feel more welcome than a fellow enthusiast greeting me with “you have to try this!”

Have an infinity of your own? Thinking of starting one? I’d love to hear about it. And if you would like to receive notification of future posts, please consider subscribing.

Call Me Old Fashioned

The Old Fashioned is one of the most “interpreted” cocktails out there.

Muddled fruit or no? Sparkling water or club soda to top it off, or no? Various flavors, ingredients, and techniques can be found in an Old Fashioned, depending on where you order it. In 49 states, it is a whiskey drink. In Wisconsin, where it is the unofficial state cocktail, it is made with brandy.

So what is a true Old Fashioned?

To answer this question, we have to go back over 200 years. While the term “cocktail” today, refers to any mixed drink, in the late 18th and early 19th centuries, a “cock-tail” was a specific category of drink, like a flip, a fizz, or a sour.

In the May 13th, 1806 edition of “The Balance and Columbian Repository”, the following definition appeared: “Cocktail is a stimulating liquor, composed of spirits of any kind, sugar, water, and bitters.”

At the time, various bitters were being sold as health tonics, touting the health benefits that made them up. They were rather unpleasant to drink straight, being, as the name implied, bitter in flavor. Mixing them with hard liquor, and a little sweetener, made it easier to take one’s daily dose of the stuff. Many people started each day off with a cock-tail, for medicinal purposes.

Around the middle of the 19th century, Vermouths, Absinthes and various liqueurs began to arrive from Europe, and become more readily available. Bartenders began to add these ingredients to make an “enhanced cocktail”. Each saloon had its own variation, in an attempt to stand out from the crowd.

Many people fought back against this trend, stating clearly and firmly, “I just want a plain, old-fashioned, cocktail.” Soon, that was shortened to “I want an Old Fashioned”, and a name was born.

During prohibition, a lot of “mixology” knowledge was lost, and after repeal, the trend at “modifying” or “enhancing” began again… this time, with muddled fruit among other things. One theory is that the muddled fruit was added during prohibition to help mask the taste of the inferior whiskey available at that time.

So what is a true “Old Fashioned”? In my opinion, I refer back to the original 1806 definition – spirits of any kind, sugar, water, and bitters. So the folks in Wisconsin are not wrong. An Old Fashioned can be made with whiskey, brandy, rum, gin, any spirit you like, though whiskey is the accepted standard.

Flavors can be adjusted by selecting different bitters. There are dozens on the market today, as compared to the dusty old bottle of Angostura found behind most bars 20 years ago, which no one knew what to do with.

I would also offer that “sugar” is open to interpretation, and different sweeteners can be used. Brown or demerara sugar are certainly reasonable choices that add depth of flavor. How about honey or maple syrup? You can even match the sweetener to the base spirit. How about a rum Old Fashioned with molasses? Tequila or Mezcal with agave syrup?

When a drink stops being a true Old Fashioned, again in my opinion, is when you start adding “modifiers”. Additional modifier spirits, liqueurs, etc., disqualify a drink from being a proper Old Fashioned. The Sazerac, while one of my favorite drinks, is technically not an Old Fashioned, due to the Absinthe rinse.

While I’m not a fan of muddled fruit in this drink, there’s certainly a strong historical argument for it. For decades, any published recipe included it, and there are still many places that serve this version of the drink. I generally refer to this style as a “Prohibition Era Old Fashioned” to distinguish it from the original, but there are many who would disagree with me.

Have an opinion? I’d love to hear it in the comments. And if you enjoyed reading this, please consider subscribing.

Campbeltown

Campbeltown – Scotland’s forgotten whisky region.

Scotland’s forgotten whisky region

Ask many Scotch drinkers how many whisky regions there are in Scotland, and the will proudly say “Four! Speyside, Islay, Highlands and Lowlands.” They will be wrong. So was I, for many years. When I first encountered a Campbeltown single malt over a decade ago, I simply assumed it was a sub-region, or a marketing thing. It wasn’t until recently that I learned Campbeltown is the fifth officially designated whisky region in Scotland.

Campbeltown is a small town on the Kintyre peninsula in the southwest of Scotland. It is not far from Glasgow and the island of Islay, and the closest point to Ireland. So close to Ireland that lengend holds St. Patrick introduced the art of distilling to Scotland in that region during the 5th century.

At one time, Campbeltown (named for Archibald Cambell, 9th Earl of Argyle), was home to over 30 distilleries. In the Victorian age at the end of the 19th century, it was known as the whisky capital of the world.

Two world wars and a Great Depression later, and by the end of the 20th century, only two active distilleries remained – Glen Scotia and Springbank. In addition to their namesake whisky, Springbank also produces the heavily peated Longrow and the unpeated Hazelburn.

These were joined in 2004 when the former Glengyle distillery began production again after having been shuttered in 1925. With the name Glengyle now owned by Loch Lomond, the former Glengyle distillery is now producing whisky under the name Kilkerran, from Campbeltown’s original name, Kinlochkilkerran.

In general, Cambeltown whiskeys are known for being full-bodied, with a viscous, almost oily mouthfeel, and a coastal salinity due to the location on the Kintyre peninsula, and proximity to the sea. Here we look at the entry level expressions from each of these three distilleries.

First up, the Glen Scotia Double Cask. This is a non-age statement (NAS) whisky. Not surprisingly, the “double cask” refers to ex-bourbon and ex-sherry casks, the two most common types used for aging Scotch. All three expressions here combine bourbon and sherry cask influences.

This whisky is a deep gold in color, a little darker than actual gold. The nose brings expected sherry notes, but less dry than a sherried Speyside, with a touch of honey sweetness, a little biscuit-like cereal, and a hint of coastal salinity. The palate starts out sweet with a touch of the expected salinity, but gives way to drier notes, fading to almost slightly bitter in the finish. A few drops of water tone down the bitter notes at the end.

Springbank 10 is probably the most well known and widely available Campbeltown, at least in my area in the eastern U.S. The color is a medium gold, almost an exact match to the metal of that name. The nose starts off with toasted wood, followed by sherry notes. The expected salinity is lacking. The palate begins with a toffee sweetness, fading to drier sherry notes. The salinity that was lacking on the nose comes through in the taste. The mouthfeel is medium and slightly oily.

Last up is the Kilkerran 12. After resuming production in 2004, this 12 year old expression was first available just a few short years ago, in 2016. The color is a little lighter than gold, but darker than straw. The nose is warm, with wood dominating, and a hint of salinity that you might miss if you’re not looking for it. On the palate, it is the thickest and oiliest of the lot. It starts out drier than the others, with the typical flavors of a sherried Speyside, but a touch of coastal salinity and some peat quickly remind you that it is not one of those.

You may have noticed that each of these selections is bottled at 46% ABV. This is a common strength for single malt Scotch, as it is the proof at which non-chill filtered whiskies will not become cloudy when chilled.

Overall, each of these drams is representative of what the “typical” Campbeltown malt is expected to be, but each showcases different aspects to different degrees. If your whisky explorations haven’t taken you to the Kintyre peninsula yet, you may want to add it to your tasting destinations.

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Blended Whisky – Part Two

A look at blending your own whisky and the new Chivas Regal blending kit

Blending your own

If you’ve read part one of this post, or even if you haven’t, you might be thinking it would be fun to try blending your own whisky.

Well, if you think you have what it takes to create a unique and delicious blend, there are a few options available to you. There are a very small number of distilleries around the world that offer a whisky blending experience, where you can sample several different whiskies, and then try blending them with the help of an expert.

If a trip to one of these is not an option, you could buy several different bottles with different flavor profiles, or grab what you have on hand, and start blending.

Whisky Blending Kit from Chivas Regal – Comes in a very nice presentation box for gifting

Here’s another fun option, which I just tried. In November of 2018, Chivas Regal, one of the world’s leading whisky blenders, released a whisky blending kit. For about $35 U.S., you get 50 ml bottles (“airline” bottles) of 5 different whiskies identified only as smoky, fruity, floral, citrus, and creamy, as well as a 50 ml bottle of Chivas Regal 12 (as an example of a good, well balanced blend), a pipette to measure and dispense the whisky, and a beaker to do your blending. It also includes an empty 50 ml bottle labeled “My Blend”. All of this comes in a nice box, which would be perfect for gifting.

The idea here is to work in small batches, adding anywhere from .5 to 3 or 4 ml of each, to build a small tasting sample. You then taste, and adjust your recipe if you want more or less of a certain flavor. Once you have a blend you’re happy with, you can scale up your recipe and make enough to fill the 50 ml bottle.

It took a few attempts, but I managed to come up with something i was proud to call “My Blend”

If you’re going to give this a try, either with this kit or with your own whiskies, I have a few suggestions:
⦁ Before mixing anything, taste 2-3 ml of each whisky. Like making a cocktail, or cooking, it’s important to appreciate the taste of each component on its own, so you know what it’s contributing to the finished product.
⦁ A little smoke goes a long way. Even if you like a smoky whisky, you don’t want to drown out all of the other flavors. The purpose here is to learn about balance. I would recommend no more than about 5% of the “smoky” if you want to be able to appreciate the other flavors.
⦁ The main idea of the “creamy” is to add body and mouthfeel, not flavor. Use it accordingly.
⦁ Measure carefully, and keep track of what you do in each batch, so you can make informed adjustments, and reproduce the results once you find something you’re proud of.

If you look at this as $35 for 300 ml of whisky, it may not seem like a great bargain. I choose to look at it as $35 for a unique learning experience, and for that, it’s a great value.

I do wish they had an option to submit your recipe online and order a full sized bottle of your custom blend. There are sources that offer that, but you’re working from descriptions only, and don’t get to experiment first, so a mistake can leave you with a full bottle of something you don’t like.

Working with bottles of single malt that are available retail gives you better options for buying more, and making larger batches, but then it’s up to you to determine what to use for various flavor characteristics. With the kit, Chivas Regal has done that work for you.

Overall, if you have an interest in making your own custom blends, I think the new Chivas Regal kit is an excellent place to start.


Blended Whisky – Part One

Blends are your friends – Why you shouldn’t automatically dismiss blended whisky as inferior.

Blends are your friends

When most people hear the term “blended whisky”, they immediately think of Scotch. Irish whisky is also divided into blended and single categories, and there are even a small number of blenders in the U.S., but generally, blended whisky refers to Scotch whisky. The idea behind a blend is to combine whiskies of different flavor profiles to achieve a balanced, harmonious medley of flavors.

With single malt increasingly being marketed as a premium product, and news headlines about some examples selling for six figures, many people automatically dismiss blended whisky as somehow inferior to single malt. That is unfortunate. I’ve had some wonderful blends, and some mediocre single malts.

I even saw a comment once that single malt is better because they “get it right every time, every batch”, as if single malt meant single barrel. Obviously this person did not realize that unless it is labeled as “single barrel” or “single cask”, most single malts are a blend of different barrels, different batches, different ages, intended to produce a consistent product. It just all comes from one distillery.

The task of the master blender is not one to be disparaged or taken lightly. It takes years of experience and a trained nose and palate to make sure the next batch of Glenlivet tastes like the last batch of Glenlivet, when differences in grain, wood, and climate can vastly affect the flavor of each barrel. Or to make Chivas Regal taste like Chivas Regal, year after year, with varying supplies from all of your different distilleries.

Essential Single Malts

A guide to adding single malt Scotch to your home bar.

So you’ve got your home bar set up with all the basics. You’ve got all of the base spirits covered, including some whiskies for mixing. Maybe a bottle of Evan Williams or Jim Beam for bourbon cocktails. A decent inexpensive rye like Old Overholt. Maybe even Johnnie Walker Red Label or Dewar’s White Label to make up a Rob Roy in a pinch.

But now you’re looking to up your game. You have that friend or relative who’s a “serious” Scotch drinker. You want to add something nice that can be sipped neat. You want to add single malt Scotch to your home bar.

But where to begin? There are so many selections out there! Prices starting around $30, running up to hundreds. Thousands! Maybe you’ve tried a few. Maybe you’ve tried more than a few, and even have some favorites.

I thought about this, and decided to put togther a list, with a few basics requirements:
⦁ Provide a selection from each of the four most widely known Scotch regions (sorry, Cambeltown), each of which is representative of that region.
⦁ Keep prices reasonable, around $40 per bottle, so you can have a nice selection without spending the next mortgage payment.
⦁ By keeping prices reasonable, it also means you can introduce someone to Scotch without making them think “Gee, this is great. I wish I could afford to drink it at home.”
⦁ Be widely available. I don’t want to recommend something that you can’t find, nor do I want you to introduce your guests to something they can’t find.

For less than $200 (at least in my area), you can have a varied selection to please fans of everything from smoky Islay malts to sherried Speysides, as well as appeal to those new to the world of Scotch. For what it’s worth, here is my recommended “essential single malts”. While other expressions may come and go from my collection, these are the ones that will always sit on my bar, front and center.

IslayBowmore 12 Year Old – While this whisky offers the typical peat smoke flavor you would expect from an Islay, it is subdued, not overpowering, and balanced by a pleasant sweetness. It is not a “smoke bomb” like Laphroiag or Ardbeg. For someone looking to try Scotch and expecting it to be smoky, this is a great starting point. If you’re going to start with a single bottle, this is the one I would recommend.

SpeysideGlenlivet 12 Year Old (Glenfiddich 12 Year Old also works well) – These are probably the two most popular single malts worldwide. Both of these showcase the typical flavor profile of a whisky aged in sherry casks, and both should be available at almost any bar or liquor store. Both of these are a little over my $40 target price, but still under $50. Yes, there are Speysides under $40, but none do a better job of representing the region.

HighlandsGlenmorangie The Original (10 Year Old) – This was a tough one. There are so many options from this region, with such varied flavors. The “typical” Highland malt, however, is described as being light bodied and fruity. This core expression from Glenmorangie fits that description perfectly, with the distinctive citrus notes that run through all of their offerings.

LowlandsAuchentoshan 12 Year Old – With most of the distilleries in the lowlands producing grain whisky, and much of that destined for blended Scotch, there aren’t too many choices for a Lowlands single malt. With Glenkinchie’s 12 Year Old coming in around $55-60, Auchentoshan is the winner by default to stay within my guidelines. The light body and earthy flavors are typical of the Lowlands.

You might be tempted to pick up the Auchentoshan American Wood for about $10 less. While it’s a good whisky for the price, it can be a little rough around the edges. In my opinion, it’s worth a few extra dollars to upgrade to the smoother, more approachable, 12 Year Old.

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